Nia DaCosta’s Hedda reimagines Ibsen’s classic with stunning visuals and different social topics. The 1950s English manor setting evokes glamour and constraint simultaneously, mirroring Hedda’s internal condition. Tessa Thompson delivers a solid performance as she embodies charisma, cynicism, and self-destructiveness. There is a shift with the former lover now being a woman (Eileen, played by Nina Hoss), which gives the story a new dimension of forbidden longing.
Hoss embodies both brilliance and vulnerability when exploring the unresolved tension between Eileen and Hedda. In competition with her is George (Tom Bateman) as the academic husband of Hedda. His character is crucial in understanding the domestic and societal pressures that drive the underlying plot and themes of gender roles and power. Chalice Williams of Reel Movie Junkie spoke with Bateman and Hoss after its world premiere at TIFF just last month. Check out the interview below.
Hedda succeeds as a bold reinterpretation that honors the spirit of Ibsen’s play, yet carves out a unique personality of its own. It invites both longtime fans of the original as well as newer and younger audiences to reconsider the stakes and subtext of Hedda’s world.